
And that's why it had to be destroyed by the Jewish nation-wreckers of Hollywood. Devon Stack deconstructs the film with devastating effect, showing how the (((Director and screen-writers))) gradually undermine and perverts the Pleasantville paradise to the point where it's eventually - to much celebration -destroyed and replaced by the nihilistic dystopia we see today. Of particular interest is the way DS, plausibly in my view, identifies the Satanic dimension underlying the project.
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